Tuesday, August 5, 2014

Pieces of Eight, NRCG

Coming soon to Northern Rivers Community Gallery in Ballina is our new exhibition, 'Pieces of Eight' with Sue Fraser and Ruth Park. Inspired by the exotic history of the Spanish Silver Dollar, we have responded in different ways to the title of the show. In colonial Australia, the Spanish Silver dollar was brought in to replace rum as currency. The dollar was punched out, making both the Holey Dollar and the punch. The donut shape of the Holey Dollar is the same form as the Chinese 'bi disc', also a form of currency in ancient China. This was the starting point for my version of 'Pieces of Eight'. You can see in the image the turquoise glazed bi disc. Our launch event is on Thursday 28th August from 5.30pm to 7.30pm. NRC Gallery is open Wed - Fri 10.00am to 4.00pm and Saturday - Sunday 9.30am to 2.30pm.

woollahra small sculpture prize

Have entered this piece into the Woollahra Small Sculpture Prize. I'm interested in etymology. I have been learning Hungarian for the past nine months and it has heightened my awareness of my primary tongue, English. In this sculpture, words and numbers combine and transmute into more complex meaning. Unless you grow up in a culture, you can't really recognize the hidden implications in a simple phrase. The piece is called 'Ordinal', and the face is stamped with the word, BORN.

Tuesday, December 3, 2013

Crawl glaze - 1100 Celsius

One of my favourite glazes is a white crawl which matures between 1080 and 1100 degrees Celsius.
Frit 4113 75 Ball clay 12.5 Neph syenite 12.5 then add magnesium carbonate light 25% (eg. 250gms to 1kg of mix - let the MgCO3 soak in water first)

Monday, November 25, 2013

conversation between artists

I went to the 2013 graduating TAFE student show in Lismore last week. There was a signature piece by Leila Page, a 1.2 metre stylised ceramic figure, sandy coloured with hundreds of daisy-like flowers on the surface. I discussed the piece with a friend, saying that, for me it reminded me of a Linde Ivimey piece.  For me it had the same overall look and surface qualities, a basic shape with tiny details.  I think it was attractive to me because it was similar to a lot of my own work. My friend didn't see the likeness.  If you look at Leila's, Linde's and my work, I think you can see a conversation between artists with a similar aesthetic. When you look at an artwork, are you looking at the materials used or at the overall effect? How do we decide the connection between artworks?

Sunday, November 24, 2013

barrier reef bommie

This piece is based on a coral bommie with an anchor point and small piece of dead coral attached. In the end it turned out a bit like an animal with its four legs. It was part of my 'Hide nor Hair' show at the Tanks Arts Centre. I used paperclay as it is so easy to use even if it dries out and you can make very fine attachments. The barnacles on the bottom were made as sprigs then attached. I have several glazes including a magnesium one that becomes like foam.

Saturday, August 31, 2013

Tanks Arts Centre

'Hide nor Hair', artwork by Louise Fulton at the Tanks Arts Centre Cairns, Queensland, 2 - 16 August 2013. Sculpture and drawings on the story of Eliza Fraser from the artist in residence program funded through Cairns City Council.

Tuesday, July 30, 2013

Artist in residence house

The Tanks Arts Centre residence on Collins Avenue is an elevated timber house and has Saltwater creek on one side(the occasional crocodile has been spotted) and the Flecker Cairns Botanic Gardens on the other side. The back veranda is wonderful on a hot day.

Monday, July 29, 2013

Hide nor hair drawings

'Hide nor hair' launch on 6pm Friday 2 August at Tanks Arts Centre Gallery, adjacent to the Cairns Botanic Gardens. These are some details of drawings that I have been working on at the artist-in-residence house on Collins avenue over the past fortnight. I was thinking about the poignancy of Eliza giving birth on board a lifeboat and the baby being resigned to the deep. I used canavalia rosea vine, also known as Beach bean as the vine most likely to have been used by Eliza to cover her loins.